Why is it that the ethnicity of your characters is so important to visual adaptions when you rarely, if ever, mention it in your prose?
I don’t really understand the question. If the ethnicity of the characters wasn’t in the prose it wouldn’t be mentioned at all in the adaptations and nobody would care. If you are paying attention you will find all sorts of people in the books, with all sorts of backgrounds.
And it probably came from comics, in which I could have someone drawn as being part of a particular race or ethnicity and then not have to have them talk about being part of that ethnicity, but simply get on with the business of being in the story and behaving as that person, with that point of view, which would include ethnicity, would behave.
Check out this great listen on Audible.com. A BBC Radio six-part adaptation of Neil Gaiman’s best-selling novel, starring James McAvoy as Richard and Natalie Dormer as Door. Beneath the streets of London there is another London. A subterranean labyrinth of sewers and abandoned tube stations. A so…
It’s the Deal of the Day at Audible.com, for just $1.95.
Of course, if you are not in the US, you might have to persuade it that you are by, for example, giving it a US zipcode. Did I say that out loud?
Tony Zhou of Every Frame a Painting explores how texting and the Internet are shown on television and in films. Zhou specifically explores the various ways in which the medium has been experimenting with how to show the experiences associated with both texting and the Internet, and points to Sherlock as a particularly good presentation of texting.
He just says the sweetest things.
im going to start a band called original broadway cast just to fuck with people
NO “TELEPHONES”. TALK TO EACH OTHER. FACE TO FACE ONLY. WRITE A LETTER. SEND A TELEGRAM TO YOUR MOM. PRETEND IT’S 1860. LIVE.
NO ‘WRITING’… TALK TO EACH OTHER. THROW A ROCK AT YOUR MOM. PRETEND IT’S 10,000 BCE. LIVE.
URGGA. ROU GRAAURH. RUH.
<SMACKS HANDS ON WALL WITH PAINT.>
NO ‘HIGHER BRAIN FUNCTIONS’ …USE YOUR REPTILIAN BRAIN
EAT YOUR MOM’S CORPSE SHE DIED TO PROVIDE YOU WITH SUSTENANCE
PRETEND YOU HAVE JUST AROSE FROM THE SEA
NO “MULTICELLULAR TRAITS”….. USE YOUR SYMBIOTIC MITOCHONDRIA
REPRODUCE ASEXUALLY, YOU’RE YOUR OWN PARENT
PRETEND IT’S 2BYA
NO “LIFE.” USE FUNDAMENTAL PHYSICAL FORCES TO FORM SPHERICAL OBJECTS REVOLVING AROUND ONE ANOTHER IN SPACE.
FUSE HYDROGEN INTO HELIUM USING GRAVITATIONAL PRESSURE TO PRODUCE HEAT AND LIGHT.
PRETEND IT’S 4.5BYA.
STABILIZE INTO EQUILIBRIA
NO “MATTER”. EXIST IN THE VOID WITHOUT PURPOSE OR MEANING.
THERE IS NO “YOU”, ONLY THE VAST CONCEPT OF NOTHING.
TIME DOES NOT EXIST.
I used to go to this coffee shop at least once a week. They’ve very recently gone out of business.
Stop it, Hardwick. BBC loves you too much.
This is the best thing I have seen all day
Good job, everyone. Nice work here today.
Done. Everybody go home.
Ben Whishaw in Real by Years and Years
This video is a great for those who like to point out British actors they recognize in random projects: Ben Whishaw, Tuppence Middleton, and Nathan Stewart-Jarrett. Olly Alexander is the vocalist.
It bothered me that none of the Tiny Groot GIF’s loop, so…
You are a gift to the Internet, Rugnetta. You rock: don’t ever change.
I speak embarrassingly loudly on the phone when the volume from the earpiece is high.
I used the sonic to take this. #Twelve
Has Chris Hardwick met Chris Eccleston yet?